I found an excellent FAQ here on the influence of the Ridley Scott film Blade Runner. The clip I showed in lecture last week has elements found suggestively in All Tomorrow's Parties: for example, the giant plasma screens on the sides of office buildings, "vast faces fill[ing] the screens, at once terrible and banal." (p6-7). Blade Runner was released in 1982, and was a version of a Philip K. Dick story "Do Androids Dream of Electric Sheep?" published in 1968. William Gibson published his first novel in 1984, two years after the film was released, and has suggested that Dick, Scott & he share a shared imaginative vision (subsequently labelled, as you may know, "cyberpunk.") Here is a helpful quotation from the FAQ:
Gibson, in an interview by Lance Loud in an article on the 10th anniversary of "Blade Runner" for the magazine "Details" (October1992 issue), had the following to say:
'About ten minutes into Blade Runner, I reeled out of the theater in complete despair over its visual brilliance and its similarityto the "look" of Neuromancer, my [then] largely unwritten first novel. Not only had I been beaten to the semiotic punch, but this damned movie looked better than the images in my head! With time, as I got over that, I started to take a certain delight in the way the film began to affect the way the world looked. Club fashions, at first, then rock videos, finally even architecture. Amazing! Ascience fiction movie affecting reality!'